This patch is definitely a bit more complex.
Oscillator 1 settings
Every time you are aiming for something buzzy in your mind think of OSC1 in feedback first when building patches. Here I pushed quite the feedback hard at 95.
Oscillator 2 settings
I use triangle for now at a low -34 because I have in mind to make something buzzy for the waveforms. I intend on modulating quite a few parameters with 2 LFOs. I usually start like with FM with something simple and if I did not like the result I can switch then to a more complicated waveform.
Oscillators options page
By comparing against the SYNC and OSC1 Feedback vs the Triangle I can get something interesting. I push BND, SLI, and Vibrato SPD. VIB be set to a quite hard setting too.
Filters settings
On the filter (remember we want “buzzy” so think of overdrive) I make things quite intense here as well as choosing the band pass to scan in terms of frequencies and create something interesting with Filter Envelope.
AMP Envelope settings
Note it gets a little complicated here. This is just a slightly sustained sound with the keys and something quite long to ending on the release. (You can also make a good use of the effects as well here if you wish).
Filter Envelope settings
The scanning behavior frequency wise should be quite intense with this Filter Envelope
Envelope 2 settings
As I want something electrical I have movie fx in mind and would like something long to Buzz. I also want the overdrive as a possible destination to modulate as a one-shot modulation. (When you want something not looping, envelope is usually a good place to start.)
LFO 1 settings
This could be a cool starting point. Learn to adjust while the sound is playing.
LFO 2 settings
And this too, I am quite satisfied with the results.
