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Learning a new device

January 3, 2020

What do I like about the Analog Four? I would say I like these five things the most. There’s sounds that I can make on the Analog Four that I can’t make anywhere else. and that’s a good thing… Analog Four functionalities When you grasp all the functionalities you can reach an incredible palette of […]

Subtractive synthesis

January 3, 2020

So imagine a very old water jar made of clay. Let’s close our eyes for a moment and imagine the steps of sculpting with the feeling of clay in between our hands taking the basic shape and with a knife tool go further by removing material slowly, precisely. “That’s exactly what Subtractive synthesis is for […]

Filter, an underrated element

January 4, 2020

That’s the tool used to control the subtractive part of the synthesis. When you read “multi-mode” it means the filter can act differently so you can choose how the filter behaves. On the Analog Four we have two different filter in series, meaning the sound goes in the first one from the generators, then the […]

Frequency matters

January 4, 2020

We talked a little bit about frequency in the Filter post earlier. You must have in mind music, physics, and mathematics are related. This goes back to the old age of studying music. We can set a scale to headings in typography and that comes from music harmony. Fibonacci, Da Vinci that’s not from yesterday […]

Sinewave, the roots of wave

January 4, 2020

The Sinewave is the most basic waveform. It is the purest waveform because it has the fundamental (the note, the frequency played on the keyboard or program in a DAW) and no harmonics. A filter has no effect on a sinewave in part to reduce its volume (as well as the triangle wave we’ll cover […]

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