Wurlitzeu Patch explained tutorial illustrates oscillators sync 2>1.
It’s also a bit more complex idea to wrap your head around. One tool we must remember to go through every page in your Analog Four. I’m sure we’ve all fell victim to only clicking links in your Google search on the first page, but there’s a wealth of information in the subsequent pages.
Oscillator 1 settings
1/ Repeat the same here in your OSC1
Oscillator options page
2/ Here we use the Oscillator Sync mode 2>1
Oscillator 2 settings
3/ I should explain something new here. Technically stacking a Triangle Wave with tuning and octave separation will put you close to an organ range of sounds. This Patch has an organ sound, but it’s more harsh sounding and less of a soft tone. This is due to the Pulse Waveform on both OSC1 and OSC2. Use the Square Wave as Sub-Oscillators and again work with octave separation. Octave separation is really something to experiment with. It’s a key in building organ and keyboard patches.
AMP Envelope settings
4/ I can tell you also that I probably put too much of those effects when building patches. I use them a lot. You should adjust the settings a little bit here and take notice of what pulling down the parameters does to the patch.
Filters settings
5/ We are here removing what frequencies we don’t want and boosting some frequencies in the low-end. When you see something like this HP2 with a frequency and resonance the sound-designer is probably boosting a range of frequencies similar to an EQ so the sound should work better in the lower octave range.
Filter Envelope settings
6/ Nothing special here that’s an envelope for the filter behavior.
LFO1 settings
7/ When you have gotten something in the organ sound territory usually a good thing to do is enhance the sound with traditional vibrato and on the first slot of modulation. I did something tricky thing here by modulating the SPD of the LFO2 so this parameter will drift values on VOL and PAN
(see after on LFO2)
LFO2 settings
8/ As I said at the end of the LFO1 settings to modulate an LFO by another LFO is a powerful tool and you should make a good use of that. Another thing to consider is to explore the range of possibilities when you start to modulate an LFO by another LFO. There’s infinite possibilities when doing this.
